Art

Here are some select works of abstraction, my main focus and figurative, much more exists on socials and here.

Eight

2025

50" x 60" – Mixed media on canvas

Watch the process on YouTube

Buy the Print | Buy the poster

Ghosts

2019

12" x 16" – Oil on canvas board

Picnic

2025

11" x 11" – Mixed media on canvas paper

Bat Cat

2022

11.5" x 9.5" – Mixed media on wood

Buy the print

Woman on a bicycle

2025

40" x 48" – Mixed media on canvas

Watch the process on YouTube

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Viking Journey

2026

15" x 30" – Mixed media on canvas

Watch the process on YouTube

Stockholm 67

2025

48" x 60" – Mixed media on canvas

Watch on Youtube, Part one, Part two

Birth of a universe

2020

20" x 20" – Oil on canvas

Fox Tail

2016

26" x 42" – Mixed media on canvas

Pink Elephant

40" x 48" – Mixed media on canvas

Buy the poster

Skateboard Elephant

2025

8" x 10" – Mixed media on canvas paper

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Dog in a car

2025

8" x 10" – Mixed media on canvas paper

Watch the process on Youtube

Buy the print | Buy the poster

Poor Skeleton

8" x 10" – Mixed media on canvas paper

Watch the process on Youtube

Buy the print | Buy the poster

Princess

2022

12" x 12" – Oil on canvas

Guitar night

2022

14" x 11" – Oil on canvas

Kung Fu

Acrylic on found canvas. One frame pulled from Tobias Gremmler's motion studies and pinned down before it finished moving: sharp planes of cool gray and blue stacking like fabric caught mid-fold, a slash of orange breaking the chill like body heat through armor. Made for a show about patterns — this is pattern as residue, the visual leftover of something fast. Read about this process on my Substack

Figurative

Distance portraits - Acrylic on canvas, 12 × 12 in. Begun around 2000, resumed in 2019. Giacometti sat in Paris squares watching figures dissolve into distance — features gone, essence intact. These portraits chase the same effect through a video camera: unrecognizable people pulled from the backgrounds of old footage, built up a stroke at a time until they feel like someone. Nobody in particular. Someone all the same. Read about it on my Substack

Skulk

Skulk comes from a D&D campaign — the most vivid one our table ever ran. When our DM, an art fan, asked for something, a group portrait of the party was the obvious answer. It poured out in one sitting. I meant to paint it in full color. It refused. Black and white was what it wanted.

No painting has ever come this easily. Maybe because we lived the adventure first.

Read about it on my Substack